Dry-point and monotype, 20 x 25 cm
Dry-point and monotype, 20 x 25 cm
Dry-point and monotype, 20 x 25 cm
collage of Serigraphs and Lithographs. 20” x 26”
Laser Woodcut & Serigraph. 32” x 20”
Laser Woodcut & Serigraphy.
Serigraphy, 19”x 26” - ed: 1/3 v.e.
Serigraphy and collage, 26’x 19” - Edition: 3 v.e.
Serigraphy and lithograph on mylar, 29” x 20.” Edition: 3 v/e
Serigraphy and cut mylar - Edition: 3 v/e
Linocut and Serigraphy, 15” x 18” - ed: 1/1
Serigraphy, 18" x 36"
woodcut -laser cutter. Printed with ashes left from the laser cutter - Ed. 1/1
Monotype and serigraphy, 20” x 15” - Ed: 1/1
Serigraphy, woodcut, and mix media - Ed. 1/1
Serigraphy, monotype, 26” x 19” - Edition 1/1
Serigraphy and Monotype
Serigraphy, 64” x 64”
Serigraphy, 27”x 75”
Reductive Lithograph
Lithograph
Reductive Lithograph
Embossment from woodcut. Printed with ashes left from the laser cutter
Edition one
Woodcut, 24”x48”
Woodcut, Reductive method
Serigraphy and cut
Serigraphy and cuts, 26,5 in x 19,5 in x 1,5 in - Edition 3 V/E
Serigraphy, woodcut and monotype - Edition one
Woodcut and Serigraphy
Woodcut and Serigraphy
Monotype and Serigraphy, diameter 18” - Ed: 1/2
Monotype and Serigraphy
Woodcut
Monotype and Serigraphy, 36” x 18” - Edition one
The multimedia printmaking-based project examines real and imaginary creatures/plants life from our contemporary Anthropocene era contaminated by a long period of human activity that has transformed the climate and natural environment. Bioengineered organs, the invention of cyberspace, coded and decoded genetics and other recent scientific discoveries shapes the fantastic, whimsical organisms into a surreal parallel world.
“Piangente” serigraphy 3 colors, 12’ x 7’
“Funghi Contrari” -sculptures- painted paper-mache, ceramics, printmaking, 36” x 19” and 24” x 14”
painted paper-mache, ceramics, printmaking, 36” x 19” and 24” x 14”
Pop-up prints. Serigraphy.
88” x 75”
Pop-up prints. Serigraphy.
88” x 75”
Pop-up serigraphy. 75” x 88”
Pop-up serigraphy. 75” x 88”
Pop-up serigraphy. 75” x 88”
Pop-up serigraphy. 75” x 88”
Serigraphy and cut paper, 7’ x 4 ‘
Monotype, cut and folded paper
"Recoding Natural History" Encyclopedia will turn toward the early, ancient rudimentary systems that scientists used to observe and catalog the vegetable world. Specifically, she reimagines the Anthropocene age, using one of the most influential books of natural history written in ancient times: Theophrastus’s Historia Plantarum, which was written in 350 BCE and 287 BCE. The book is a catalog of the vegetative world seen from the perspective of ancient botany, which was a broad science encompassing everything from medicine and agriculture to philosophy.
Cover- Reductive linocut and letterpress
Drypoint on acrylic plate, linocut and serigraphy.
Drypoint on acrylic plate, linocut and serigraphy.
Drypoint on acrylic plate and linocut.
Drypoint on acrylic plate and linocut.
Drypoint on acrylic plate, watercolor.
Installation Ceramics and Printmaking
There is always a silent moment before a beginning, a silence that precedes the frantic movement of cells in the pulsing space where life germinates. The antithesis of this frantic movement is captured and framed on an underwater theatrical stage where Otherworldly Nature takes life. The stage is seen as a liminal threshold, where these creatures/plants live, between earth and sky in an altered spatio-temporality. Otherworldly beings are suspended here in the middle of space. These creatures are not growing from soil, they cannot fly—they are cemented within this threshold. It is a miniature world of color where a new life emerges and invites curious to come closer. What exactly are these creatures? They embodied the idea that we are able to create a new life form after we created the synthetic cell. They show us new possibilities and force us to see that as we develop new technologies we are changing the process of evolution. Evolution is not merely an autonomous process of nature; it is something we can manipulate – even create – artificially.
Serigraphy. Particular outside installation. 12’x12’
Suspended ceramics on 5 feet wooden platform
Suspended ceramics on 5 feet wooden platform
Details of ceramics
Serigraphy, ceramics and mix media, 84" x 54" x 20"
Serigraphy, 54" x 54"
Edition one
Silkscreen
There is a battle being fought between the unexpected consequences of altering the biology of our planet, which could have a negative impact on the experience of life in general, vs. the notion that these changes can be beneficial to our ability to push past the limits of the biosphere as an attempt to minimize human suffering.
These circles represent the stages of the “Synthetic Cells,” from its “Division” to the “Embryonic state.”
Using the microscope as an entry point for exploring the diverse patterns of nature, from insect development to cell division, these compositions point at the nature of where life has come from and where it is potentially going. I intend the viewer to be transported in this space, we are changing our world physiologically and are being changed by it.
Life is a mysterious, unpredictable, unexpected, unintended, and continuous mutation.
Painted wood and Lithography on mylar
48”x 48”
Serigraphy on paper mounted on wood.
48” x48”
Painted wood and Lithography
48”x48”
Serigraphy on paper mounted on wood, lithographs on mylar and lights
48” x 48”
Serigraphy on paper mounted on wood, lithographs on mylar and lights
48” x 48”
Serigraphy on paper mounted on wood, lithographs on mylar and light
48” x 48”
Serigraphy, wood and cut prints.
48” x 48”
Hand-built glazed ceramics.
Hand-built glazed ceramics.
Hand-built glazed ceramics.
Hand-built glazed ceramics. Woodcut print.
Hand-built glazed ceramics. Woodcut print.
Hand-built glazed ceramics. Serigraphy, woodcut and monotype prints.
Hand-built glazed Ceramics
Hand-built glazed ceramics
glazed ceramics
particular decal from lithograph
particular
particular clay printed on woodcut
Otherworldly Nature Installation - Detail Ceramics, 2016
Hand-built glazed ceramics
